The Bharatanatyam module was written by Hari Krishnan. Krishnan is Assistant Professor of Dance in the Department of Dance at Wesleyan University (Connecticut, USA) and the artistic director of Toronto based company inDANCE. His research areas include queering the dancing body, colonialism, post-colonialism and Indian dance, contemporary dance and hybridization, globalization and the arts of India, Bharatanatyam in Tamil cinema and the history of devadasi-courtesan dance traditions in South India. Krishnan is a regular contributor to academic conferences and scholarly publications on cultural history and dance. As an award winning dance-maker, he is frequently commissioned for his avant-garde, subversive and transgressive choreography to create work on soloists and companies around the world. Krishnan is a recipient of several international grants and has also been nominated for Bessie (New York City) and Dora (Toronto) awards.
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Krishnan, Hari. 2008. “Inscribing Practice: Reconfigurations and Textualizations of Devadasi Repertoire in Nineteenth and Early
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Chatterjea, Ananya. “Chandralekha: Negotiating the Female Body and Movement in Cultural/Political Signification.” In Moving History/Dancing Cultures: A Dance History Reader, ed. Ann Dils and Anna Cooper Albright. Middletown, CT: Wesleyan University Press.
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Krishnan, Hari. 2008. “Inscribing Practice: Reconfigurations and Textualizations of Devadasi Repertoire in Nineteenth and Early Twentieth Century South India.” In Performing Pasts: Reinventing the Arts in Modern South India, ed. Indira Viswanathan Peterson and Devesh Soneji.
Soneji, Davesh. 2008. “Memory and the Recovery of Identity: Living Histories and the Kalavantulu of Coastal Andhra Pradesh.” In Performing Pasts: Reinventing the Arts in Modern South India, ed. Indira Viswanathan Peterson and Devesh Soneji.